
One of my personal favorite architects is Charles Eames, most famous for his 1950's furniture design work with Herman Miller. Everyone recognizes this chair but most people do not understand a) it's a work of art b) the first piece of furniture with moulded plywood and c) it was designed by an architect.
Wikipedia's history of Charles Eames:
Charles Ormond Eames, Jr (June 17, 1907 - August 21, 1978) was born in 1907 in Saint Louis, Missouri. Charles was born the nephew of St. Louis architect William S. Eames. By the time he was 14 years old, while attending high school, Charles worked at the Laclede Steel Company as a part-time laborer, where he learned about engineering, drawing, and architecture (and also first entertained the idea of one day becoming an architect).
Charles briefly studied architecture at Washington University in St. Louis on an architectural scholarship. After two years of study, he left the university. Many sources claim, with little evidence, that he was dismissed for his advocacy of Frank Lloyd Wright and his interest in modern architects. Several websites claim that "In the report describing why he was dismissed from the university, a professor wrote the comment 'His views were too modern.'" This alleged comment has yet to be attributed to any specific member of the architectural faculty. Other sources, less frequently cited, note that while a student, Charles Eames also was employed as an architect at the firm of Trueblood and Graf.[1] The demands on his time from this employment and from his classes, led to sleep-deprivation and diminished performance at the university. It needs to be explored and researched further to determine the actual cause of his departure from the university, rather than repeating the old, unverified story of his being a victim of backward-looking faculty who supposedly threw him out simply for his points of view.
While at Washington University, he met his first wife, Catherine Woermann, whom he married in 1929. A year later, they had a daughter, Lucia.
In 1930, Charles began his own architectural practice in St. Louis with partner Charles Gray. They were later joined by a third partner, Walter Pauley.
Charles Eames was greatly influenced by the Finnish architect Eliel Saarinen (whose son Eero, also an architect, would become a partner and friend). At the elder Saarinen's invitation, Charles moved in 1938 with his wife Catherine and daughter Lucia to Michigan, to further study architecture at the Cranbrook Academy of Art, where he would become a teacher and head of the industrial design department. In order to apply for the Architecture and Urban Planning Program, Eames defined an area of focus - the St. Louis waterfront. Together with Eero Saarinen he designed prize-winning furniture for New York's Museum of Modern Art "Organic Design in Home Furnishings" competition.[2] Their work displayed the new technique of wood moulding (originally developed by Alvar Aalto), that Eames would further develop in many moulded plywood products, including, beside chairs and other furniture, splints and stretchers for the U.S. Navy during World War II.[3]
In 1941, Charles and Catherine divorced, and he married his Cranbrook colleague Ray Kaiser, who was born in Sacramento, California. He then moved with her to Los Angeles, California, where they would work and live for the rest of their lives. In the late 1940s, as part of the Arts & Architecture magazine's "Case Study" program, Ray and Charles designed and built the groundbreaking Eames House, Case Study House #8, as their home. Located upon a cliff overlooking the Pacific Ocean, and hand-constructed within a matter of days entirely of pre-fabricated steel parts intended for industrial construction, it remains a milestone of modern architecture.
Charles briefly studied architecture at Washington University in St. Louis on an architectural scholarship. After two years of study, he left the university. Many sources claim, with little evidence, that he was dismissed for his advocacy of Frank Lloyd Wright and his interest in modern architects. Several websites claim that "In the report describing why he was dismissed from the university, a professor wrote the comment 'His views were too modern.'" This alleged comment has yet to be attributed to any specific member of the architectural faculty. Other sources, less frequently cited, note that while a student, Charles Eames also was employed as an architect at the firm of Trueblood and Graf.[1] The demands on his time from this employment and from his classes, led to sleep-deprivation and diminished performance at the university. It needs to be explored and researched further to determine the actual cause of his departure from the university, rather than repeating the old, unverified story of his being a victim of backward-looking faculty who supposedly threw him out simply for his points of view.
While at Washington University, he met his first wife, Catherine Woermann, whom he married in 1929. A year later, they had a daughter, Lucia.
In 1930, Charles began his own architectural practice in St. Louis with partner Charles Gray. They were later joined by a third partner, Walter Pauley.
Charles Eames was greatly influenced by the Finnish architect Eliel Saarinen (whose son Eero, also an architect, would become a partner and friend). At the elder Saarinen's invitation, Charles moved in 1938 with his wife Catherine and daughter Lucia to Michigan, to further study architecture at the Cranbrook Academy of Art, where he would become a teacher and head of the industrial design department. In order to apply for the Architecture and Urban Planning Program, Eames defined an area of focus - the St. Louis waterfront. Together with Eero Saarinen he designed prize-winning furniture for New York's Museum of Modern Art "Organic Design in Home Furnishings" competition.[2] Their work displayed the new technique of wood moulding (originally developed by Alvar Aalto), that Eames would further develop in many moulded plywood products, including, beside chairs and other furniture, splints and stretchers for the U.S. Navy during World War II.[3]
In 1941, Charles and Catherine divorced, and he married his Cranbrook colleague Ray Kaiser, who was born in Sacramento, California. He then moved with her to Los Angeles, California, where they would work and live for the rest of their lives. In the late 1940s, as part of the Arts & Architecture magazine's "Case Study" program, Ray and Charles designed and built the groundbreaking Eames House, Case Study House #8, as their home. Located upon a cliff overlooking the Pacific Ocean, and hand-constructed within a matter of days entirely of pre-fabricated steel parts intended for industrial construction, it remains a milestone of modern architecture.






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